BEHIND THE CRIMSON VEIL

A style of romantic serious music from our century fused together with jazz, brilliantly presented with a violin, accompanied by the orchestra of our time, the electronics, created by two artists that grew up 8,000 miles away from each other, but that come from the same cultural circle and that share the same aesthetical demand on their music: timeless qualities such as a masterful performance, substantial compositions, dynamic arrangement and polished studio engineering.

Tommy: "For music listeners with a soft -spot for a wide spectrum of artistically profound music; such people who would find in our music exactly what they want to hear but don't know how to get it. "Wagner is beautiful but then he gets very noisy". "Vivaldi is gorgeous but it's very samey". "I bought a Miles Davis album and there's only one track I like. Every song a well thought out composition. In every song a chance to improvise. I think of it more as development in the classical sense than Jazz soloing. Dynamics: make the mood change. Don't be scared to get very gentle then to build the intensity. But above all that the songs make sense MUSICALLY. Everything that's there is there because it's right.

The Artists

SCARLET RIVERA, composer and violin, played in the orchestra for 10 years and when it became boaring she was offered to record and tour with Bob Dylan ("Desire", "Thunder Revue"), followed by recordings and tours with Tracy Chapman, The Indigo Girls, The Duke Ellington Orchestra and many others.

TOMMY EYRE, just the fact that he arranged "With a little help from my Friends" for Joe Cocker is enough to go down in the Rock'n Roll Hall of Fame. He is one keyboard player who fully understand his instrument and the workings of music from Rock & Roll right through Bach, Bartok and Ligeti. And gave this experience to VIPs like WHAM, Gary Moore, Darry Hall, Mick Jagger, B.B. King, Gerry Rafferty, Ian Gillan, Greg Lake, Mark Almond, Alex Harvey, Allison Moyet etc.